Round and round we go

After some agonising, comparing, and general research, I took the plunge and got a new turntable — see below.

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Audio Technica LP120 USB

This is actually the fourth turntable I have owned. The first was a Dual. That was a rim drive (a technology I am not sure is still used), and had a fair bit of rumble. That was followed by a Sony direct drive. The Sony was incredibly reliable, as their products tend to be. It had some quite good features like a strobe band around the edge of the platter, so one could see whether the record was spinning at the correct speed or not. The platter itself was carbon fibre, supposedly, with funny little rubber mushrooms to support the record. That deck went through a house fire which buckled its dust cover so severely I had to take it off and throw it away. To my surprise, the deck still worked. It was still working when I reluctantly put it out on the nature strip over forty years later. So why did I get rid of it? I had no room in the stereo cabinet for a turntable.

It was succeeded by a much smaller Akai belt drive deck. This was a modest machine, sourced from Cash Converters for not very much money. I intended to use it just for ripping recordings from my few remaining LPs. I recently liberated the stereo from its cabinet and re-housed it in a new console, where I could now get at the back of it. I also got some LPs from the op shop, and a record cleaning machine. The limitations of the Akai were becoming more obvious as the quality of the vinyl improved. So when I saw the Audio Technica on sale online, I realised it would be a major improvement.

The major feature of this deck is the capacity to record vinyl records directly to a USB stick. However, I bought it for its other features:

  • direct drive (no messing about with drive belts)
  • S shaped tone arm (supposedly better for tracking toward the LP label)
  • prefitted cartridge
  • universal headshell, giving the capability to upgrade the cartridge
  • capacity to use
    • the deck’s inbuilt preamplifier, or
    • an external phono stage, or
    • the one in your amplifier. (The Luxman has a good phono stage with switchable impedance, and it seemed a shame not to use this.)
  • hydraulically damped lift control for the tonearm (although you need to lift the arm at the end of the record).

It even has a dinky little pop-up light so you see where to put the needle at the start of the disc. And, for members of the Illuminati (and the tinfoil hat brigade), one can actually play discs backwards. Yes, subliminal messages encoded onto The Beatles, David Bowie, and other such seemingly inoffensive artists, can be — ah — outed? Revealed? Whatevs.

The handful of Melodiya discs I picked up in a junk shop in St Kilda plays beautifully. I remember asking the assistant what the story was with these. Apparently no-one had picked them up from the dock after they cleared customs. Melodiya is the number one Russian record label; the discs I have date from the Soviet Union era. Material includes the Shostakovich symphony no. 5 (conducted by Maxim Shostakovich), four of the Sibelius symphonies with Rozhdestvensky, the Schumann piano concerto, and Schubert impromptus. The Russian orchestral sound is unique, particularly the brass playing — where else can you hear horns played with vibrato?

Other op shop finds, not all played on the new deck yet, include

  • Brahms: Alto Rhapsody, Wagner Wesendonck Lieder; Strauss orchestral songs, with Janet Baker
  • a Nielsen symphony
  • Debussy: La Mer; Ravel: Daphnis & Chloe suite no. 2, Pavane, with Szell and the Cleveland (extremely well played)
  • Rimsky-Korsakov: Scheherezade with Leinsdorf (pristine condition, very good performance, and a great recording — the trifecta)
  • Beethoven: Pastoral symphony with Charles Groves (pretty good, as I recall)
  • Verdi: Don Carlo with Karajan (mono, from Salzburg Festival)
  • Schubert: Unfinished symphony and Rosamunde excerpts, with Paul Kletzki and the Philharmonia Orchestra (from the 1950s, the glory days for that band — how could you go wrong?)
  • Marschner: Hans Heiling and Der Vampyr (a gift from a mate — a terrific discovery of a composer I hadn’t heard of, let alone heard. Private recording.)

Some of the best of this bunch are World Record Club pressings. There is a story worth telling here — if only the business records from this enterprising outfit are still around. I had quite a few of their records in the 70s and 80s. Only two of these old-timers survive; a volume in the complete Haydn string quartets, with the Fine Arts Quartet, and the Sibelius Violin Concerto with a Russian soloist, Tossy Spivakovsky, and the London Symphony Orchestra. The latter is one I liberated from the music department at North Sydney Technical Boys High School. (I would return it, but the school closed down in the late 60s or early 70s.) This was the recording through which I got to know this work. I always liked Spivakovsky’s performance; it made me think of a soul wailing in frozen wastes. After a wash, the disc (although pretty worn) doesn’t sound at all bad on the new deck. I can hear now, however, that the soloist is balanced extremely close. Some things just ain’t the same forty years on!

Advance future planning

Some people are just disgustingly organised. Yes, it’s around this time that the first shame-making batch of Christmas cards starts to appear in the mailbox. (Hand-addressed ones, I mean, from people you actually know, not those ones with the word-processed labels from real estate agents and other hopefuls.) Impressive as this is, some people of Olympian foresight are actually thinking about their new year’s resolutions. Fair crack of the whip! I’m still resting on my laurels from working out which bin to put out last Thursday.

For those who would like to take a mini-meerkat ramble, and peer over the parapet of the present (oh, when you’re hot, you’re hot), there is some pretty interesting stuff to ponder. The Guardian asked its readers for suggestions about how to live in a way that, while it didn’t involve throwing off the whole capitalist yoke, at least brought up some alternatives. The result was this article, From freecycling to Fairphones: 24 ways to lead an anti-capitalist life in a capitalist world . The suggestion that most tickled my fancy, not surprisingly, was the one about using libraries more.

(Strangely, I have just taken a not-a-new-year’s resolution to start using our local library less. This is to support a different NANYR, that is, to re-read In search of lost time. Having turned into a super slowpoke reader, I simply won’t get through this magnum opus in 2019 if I am forever putting books on hold. However, for anyone for whom their library service hasn’t been restructured, corporatised, and had its customer service outcomes optimised out of existence, I say — use it or lose it!)

My personal suggestion to do things differently in 2019? Shop in op shops. I had the most delightful conversation a few weeks ago with the co-owner of our local greengrocer, a Canadian, and a fellow op-shopper. I think I impressed her with my two op shop loyalty cards! (Not everyone would be.) I was able to fill her in about some local outlets, and admire her ability to score a wearable cardigan. Knitwear is definitely the Achilles heel, if I can put it that way, of the op shop. Most jumpers, or even sweat tops, are either stained down the front or worn thin. I have scored a couple of good jumpers, one of which I wear as I write, but the hit rate is definitely lower than for jackets, shirts, or pants. Op shops, though, are a great way to connect with your community, save stuff from landfill, and disconnect from the whole disposable fashion cycle. And obviously they are mega cheap. As the Mitsubishi ads used to say: please consider.